Time Out of Mind (1997)
1. Love Sick
2. Dirt Road Blues
3. Standing in the Doorway
4. Million Miles
5. Tryin' to Get to Heaven
6. 'Til I Fell in Love With You
7. Not Dark Yet
8. Cold Irons Bound
9. Make You Feel My Love
10.Can't Wait
11.Highlands
 
Just when you thought nobody would
ever really pay attention to
what Bob Dylan was doing anymore, he manages to release an
incredible album that goes to the top ten and even wins a grammy for the
best album of the year. But that's getting ahead of the story...
This was his first original album of new material in seven years, and
even back then, his new records were only being listened to by the faithful.
He reunites with producer Daniel Lanois, who produced his last "really
good" album, 1989's Oh Mercy and there are
actually several similarities between the two records, apart from the fact
that they're both excellent pieces of work. Like that album, this album
has a certain feel to it that resonates so well. The songs have an
almost nocturnal quality about them, which suggest that this, like Oh Mercy is a night album. The
difference, though, is that this album is a lot less polished - it's
more down to earth, more gritty and therefore more honest and maybe even more
sincere.
And that's really the overall strength of this record, the
atmosphere. In many cases, it's hard to distinguish some songs
from one another even after several listens, but that doesn't really
matter. It's the overall mood of the album that sinks in so
well. Imagine walking into an almost deserted smokey bar in the middle
of anytown U.S.A. On stage is a ragged, over the hill performer who
seems oblivious to the lack of interest in his performing. Instead, he
sings from the heart, or, more specifically, about his heart being
broken. His voice is craggy, but what he lacks in finesse, he makes up
for in emotion. That is the feel of this album, and Dylan
manages to penetrate so well under one's skin.
It's impossible to listen to some of the melancholy tunes such as
Tryin' to Get Into Heaven or Standing in the Doorway without
having a good, strong shot of pathos run through your veins. Many of
the songs here would probably be big hits had they been done by a more
polished performer and a more popular arrangement (case in point - To
Make You Feel My Love was recorded by Billy Joel and Garth
Brooks - the latter a pretty big hit), but Dylan has rarely sounded at
his best when his music was polished. No, this record is exactly
how a latter day Dylan album should sound. Although no one knew it at
the time, he was beginning to embark on somewhat of a successful
comeback run. And even though some of his albums after this were even
better received than this one, none were as heartfelt nor as honest.
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