Tunnel of Love (1987)
1. Ain't Got You
2. Tougher Than the Rest
3. All That Heaven Will Allow
4. Spare Parts
5. Cautious Man
6. Walk Like a Man
7. Tunnel of Love
8. Two Faces
9. Brilliant Disguise
10.One Step Up
11.When You're Alone
12.Valentine's Day
 
First thing's first - this is a
terrific album. More on that later. This was a huge change for
Springsteen. It's a bit easy to see why. In terms of success, his life
had never quite changed as dramatically as it did from one album to the
next as it did between Born in the
U.S.A. and this one. He was a full fledged icon and Hollywood
superstar of the big glam eighties. So how to you follow up in the same
vein as every album you've ever done before? Quite simply, you don't.
Or in Springsteen's case, you can't.
Even looking at the front cover of the album tells you that something is
different about the man. I mean, he looks like a Hollwyood Stud, about
to hit the high end bars in Malibou. Then the very first lines of the very first
song, he sings "I got the fortunes of heaven in diamonds and gold/ I got all
the bonds, baby, that the bank could hold....". This was a long way from
the greasy haired teenager that wanted Rosalita to come out tonight.
Even though he had changed through all the success though, at the heart
of this man was still a guy who was restless and quite disillusioned.
This as been dubbed as Bruce's "love" album. Not filled with syrupy
adult contemporary songs, yet an honest look at what real love was
supposed to be and then going "You mean that's it?". With
history on our side, we now know about his short lived marriage to
Julianne Phillips and that he left her for his new female singer of the
E Street Band. So it's a bit easy to speculate on the relationship when
digesting the material here. To be fair, this isn't really anything new
in terms of style, he's just focusing on a new struggle.
Then you have the fact that the E Street Band is now gone. They're
credited on the album, but he uses them sparsely and there's practically
nothing here that emulates an E Street Band record. Spare
Parts is maybe the only example of something that would fit the
formula, but that's mostly due to the songs imagery of broken young
love, oil patches, and "going down to the river". In some cases the
music here is a bit eighties style in terms of its gloss and
instrumentation which is another reason why not as many people fell in
love with it. Then you add the fact that most artists can never
top those rare masterpieces that only few achieve - especially on the
very next album. So this one was much more low key in terms of how it was received by the public.
Getting all of that out of the way, it must be said the the songs, and
the album as a whole is simply brilliant. Although it's very dissimilar
in style to other Springsteen albums, the sound is unmistakably his, as
is the voice and the themes. There's very little rock here, but
all songs resonate well. There's a nice variety as well, from the
punchy opener Ain't Got You to the shoulda been number one hit
Tougher Than the Rest to the Nebraska-like Cautious Man. All the
songs are brilliant.
Sadly, this album has become a bit of a "forgotten gem" in his catalog.
He would continue to do "other" projects outside of the E Street Band,
and some weren't very well received by critics or fans. This was one
that needs to be heard. It's his best "other" album.
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