Working on a Dream (2009)
1. Outlaw Pete
2. My Lucky Day
3. Working on a Dream
4. Queen of the Supermarket
5. What Love Can Do
6. This Live
7. Good Eye
8. Tomorrow Never Knows
9. Life Itself
10.Kingdom of Days
11.Surprise, Surprise
12.The Last Carnival
13.The Wrestler
 
Released only a little over one year
since his last album Magic , in many ways this
can be seen as a "companion" piece. Same band, same producer, same
overall sound. Sure, the "theme" is presented as different. His last
album was one of "despair" and this one is one of "hope". You can see
some of the differences in the music, but the most glaring difference is
only represented in the album cover. On Magic
he looks like a mug shot for a DUI violator, whereas here, he looks like some new
age advert for some fashionable new hippy product.
Like his last album, this one has some very good songs on it, but
it also has some songs that don't seem to go anywhere and bog the whole
experience down a bit. You could, maybe, blame this on the production.
This is arguably the greatest rock and roll band of all time, yet a lot
of the musicianship is buried under layers of over production. In other
words, it's tamed down too much. Most of his fans prefer Magic over this one, but I favor this one slightly.
To me it has more high quality songs and less filler - which is about
the only distinguishing feature that I can make out between the two records.
Like the last album, he starts off the CD in a very big way with the
western-ish Outlaw Pete that has to rival some of his best songs
ever, complete with authentic chug-a-lug sounds emulating a train going
through barren desert wastelands. This is one of those eight minute
songs that never feels like it's eight minutes. He follows with
two of his "happiest" or "hopeful" songs ever in My Lucky Day and
the inspiring Working on a Dream that you have to wonder if it
was written in the inspiration of new president Barrack Obama.
Springsteen has always been a big political guy, but fortunately he lets
his music do most of the political preaching for him. So he doesn't overdo it at all here.
Things start to go south with Queen of the Supermarket, a song
about some loser in love with a checkout girl at the local
grocery store. He may have been able to
pull this off when he was thirty five years younger, but hearing these
sentiments sang by him today just makes him sound like an old pervert.
A lot of the rest of the album is hit and miss as well. Some songs
end up sounding too much like other ones, and you can't really
distinguish some of the tracks from each other - even after repeated
listens.
He does do a great job on the heavily blues influenced Good Eye
and then manages to segue in a completely different style on Tomorrow
Never Knows which is his best (albeit there are few) Country-Western
interpretation that he ever attempted. His tribute to recently deceased
E Street Band member Danny Federici, The Last Carnival, is an
incredibly beautiful tribute. Why he didn't perform this song during
the tour that supported the album is beyond me. The "bonus" track is
also quite moving and in the same style - The Wrestler is the
humbling sounding track to the movie of the same name starring Micky
Rourke.
The positive experiences far outweigh the negative ones overall, giving
the listener their money's worth. One would hope soon, though, that he
might get a little bit tougher sounds out of his next releases - and
maybe bring back a little bit more of The Boss into Bruce Springsteen.
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