Echo (1999)
1. Room at the Top
2. Counting on You
3. Free Girl Now
4. Lonesome Sundown
5. Swingin'
6. Accused of Love
7. Echo
8. Won't Last Long
9. Billy the Kid
10.I Don't Wanna Fight
11.This One's For Me
12.No More
13.About to Give Out
14.Rhino Skin
15.One More Day, One More Night
 
Throughout Tom Petty's career,
whenever he managed to release a really good record (Damn the Torpedoes or Full Moon Fever, for example), he would try
to immediately replicate it on his very next release. Although he would
always do a pretty good job and come up with a solid effort, the
follow-up never quite measured up to the past album. This record is
another example. Following what was arguably his best record ever, Wildflowers, Petty again teams up with
producer Rick Rubin and goes for a very similar sound. Now, to be
honest, if you're keeping track, this one is a "Heartbreakers" release
whereas Wildflowers was a solo record.
However, at this point, I could never tell the difference and no one
really seemed to care. The differences are minimal. Speaking of the
Heartbreakers, they were now down to a foursome as drummer Stan Lynch
had left the fold. Again, no one really seemed to notice.
Back to the music. This record is very solid. It takes a bit to warm
up to because Petty doesn't necessarily sound like the branded Petty
that everyone knows. Normally you can count on his southern style
drawl, complete with some cool Byrds like guitar riffs coupled with
simple, yet off the wall lyrics that dignified Petty's personality.
These are many of the trademarks that make Petty so endearing to his
fans, yet he uses these traits minimally on this
album. They're present on a few
tracks - most notably A Room at the Top, which, not surprisingly,
manages to be the best song on the whole album by far. Some of
the more familiar Petty elements also creep into such songs as Billy
the Kid and Swingin', so they're equally as lovable.
A lot of the album, though, sees Petty going into a bit of unfamiliar
territory. Songs like Free Girl Now and I Don't Wanna
Fight sound like he's trying to be a young hipster and incorporate
more music styles from the 90's than the 60's (which, really, was always
his trademark). He then gets a bit mellow and introspective on
Lonesome Sundown, No More and the song Echo,
which aren't immediately accessible, but do become pleasant once given
the chance.
With 15 songs clocking it at over 60 minutes, it's very easy to say that
this album "feels like it runs too long", but that's being generous. It
is too long, but the argument is that, since you don't have to
pay per song (at least back in 1999), why should you really care if
there are a few extra songs? So,yes, it's a bit bogged down but there
are enough nuggets to go around, and it's perfectly acceptable for an
artist of his stature to shed his skin every now and then and try
to do something a bit different and unexpected.
Go back to the main page
Go To Next Review