A Biography (1978)
1. Born Reckless
2. Factory
3. Night Slumming
4. Taxi Dancer
5. I Need a Lover
6. Alley of the Angels
7. High C Cherrie
8. Where the Sidewalk Ends
9. Let Them Run Your Lives
10.Goodnight
11.I Need a Lover
 
His third, and final, "early" release
that quickly became out of print and "lost" from any official
collection. In fact, this one wasn't even released in the U.S.
at all because of the poor showing of his first two records. Although
this record is nowhere near as good as his future work would be in his heyday,
it's miles ahead of his first two albums, which through no fault of his
own really, were just awful.
He's still a young rebel rabble rouser, and his whiny bravado schtick
wears pretty thin after awhile. Sure, the guy was always complaining
and pissed off through his entire career, but his youth and inexperience
makes him sound too much like the annoying greaser that lived down the
street from you when you were growing up that skipped school all the time
and hung out with the other "bad boys" in front of the malt shop.
When you dig a bit deeper, however, there is some quality material here.
He's desperately ripping off early Springsteen on many of the tracks,
and the fact that you can even begin to make that comparison is actually
a backhanded compliment. There's one classic song on here, the sad
Taxi Dancer that was really his first classic, even though no one
had ever really heard it. It was such a good song, that when he
released his follow up record to this album, John Cougar, he rerecorded it for that record
as well, probably so it had at least a small shot of being heard by
people in the U.S. The version here is much better though. It's a
cleaner, stripped down version that doesn't make it easier to listen to,
but does the theme of the song a considerable amount more justice.
A similar thing was done for the "other" good song, I Need a
Lover. "Similar", because the exact same version that's on this
album appeared on the follow up. No re-recordings for this one. That
in itself is a small disappointment since the song, definitely a catchy
tune, suffers a bit from over production.
This album, along with his first two, didn't really resurface until some
35 years after they were released. Mellencamp, himself probably wishes
they hadn't, but you could start to see the genius slowly starting to
appear.
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