Mr. Happy Go Lucky (1996)
1. Overture
2. Jerry
3. Key West Intermezzo (I Saw You First)
4. Just Another Day
5. This May Not Be the End of the World
6. Emotional Love
7. Mr. Bellows
8. The Full Ctastrophe
9. Circling Around the Moon
10.Large World Turning
11.Jackamo Road
12.Life is Hard
 
There are so many adjectives that one
can use to describe this album. Especially considering the fact that it
came from John Mellencamp. "Diverse", "Weird", "Danceable" or downright
"Strange". I prefer "Incredible", even though all of the others would
fit quite well. After a mild heart attack and a brief R&R time,
Mellencamp does what nobody expected that he would ever do, and that is
to put out a release such as this one that is so different from
anything he has ever done.
Sorry, but it is "dance oriented" - although purists will cry "foul".
If you ever have the urge to get out on a dancefloor and boogie to John
Mellencamp, all you really need is this record. The thing that makes
this so fascinating is that Mellencamp actually makes this thing
work. He manages to incorporate so many styles and textures of
dance music, yet always stays true to his form. Not once does he go
overboard. It has been said that true artists can make wonderful music
of any genre, regardless of what they are well known for, and
Mellencamp proves them right.
As mentioned, he stays true to his roots. There are a lot of "voice
loops" etc. that you would expect on a dance album, but Mellencamp
doesn't use hip 20 year olds - he uses folks in their golden years that
he probably found sitting on the front porch of the county grocery
store. He also uses such effects sparingly, so you're not overwhelmed.
This isn't an album of "effects", but purely crafted, well written
songs.
The lead single, Key West Intermezzo (I Saw Your First),
is the first single and the
best thing on the album. It's incredibly infectious, and it's too bad
that Mellencamp's popularity was not what it once was. Other highlights
include Just Another Day and The Full Catastrophe.
Of course, this is John Mellencamp, so even if this is the most
"happy go lucky" we've ever seen of him, that's not to say that the
album isn't filled with the typical heavy themes that one would come to
expect. He just delivers his messages a bit more subtle, and, for once,
the lyrics seemed to be buried a bit behind the wealth of the variety of
instruments. This was a nice change. In a way, you could argue that
this was his "Sergeant Pepper" and one wishes that he would have maybe
put out more of the same. Of course, that may have diluted the works a
bit and made this one not stand out as quite as well as it did. He
proved he was a genius.
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