Chaos and Creation in the Backyard (2005)
1. Fine Line
2. How Kind of You
3. Jenny Wren
4. At the Mercy
5. Friends to Go
6. English Tea
7. Too Much Rain
8. A Certain Softness
9. Riding to Vanity Fair
10.Follow Me
11.Promise to You Girl
12.This Never Happened Before
13.Anyway
 
This is one of those records where
everything seems to work as flawlessly as intended. Paul McCartney had
been enjoying the greatest string of his success during the early
twenty-first century - going all the way back to the earliest
post-Beatles days. No, you didn't hear many of his new songs anywhere,
but that was a sign of the changing times, not a reflection on the
quality of his work. Most top 40 radio stations didn't feature songs by
anyone over 40 years of age, and believe it or not, McCartney was 63
when this album came out. This is mostly one of his "homemade" albums
like McCartney and McCartney II in that Paul plays most of the
instruments himself.
The key difference here is that he brings in an outside producer, Nigel
Godrich, mostly known for his work with Radiohead. That may seem like
an odd choice, but give Godrich credit for taking some very good ideas
that McCartney comes up with and turning them into well crafted
songs without losing any of that homespun feel. This was
something that the first two solo "McCartney" albums lacked - they had
some good songs, but they were muddled down with a lot of
instrumentation that you really couldn't even call "filler" let alone
songs.
What ends up being produced is an album that sounds so fresh, so simple
and so close to the heart, that it's very possible to fall immediately
in love with it only after a few listens. And each new listen brings out
more and more of the albums qualities. This is a difficult album to
"label". It's definitely not a rocker - the only thing close with a
beat is Promise to You Girl although Friends to Go sounds
a lot like it's written by a talented 16 year old instead of a 63 year
old . I wouldn't have been surprised if Mac had stated he had written
this song when he was only a kid. It's such a charming piece that
sounds like adolescent angst that we've all experienced.
He shows his vulnerability as he never has before on songs such as
Too Much Rain and the very strange but brilliant How Kind of
You. I'm still trying to figure out exactly why I love this
song so much. Really that sums up a lot of sentiments about this album.
You just can't exactly pinpoint why the songs are so infectious.
Some songs are obviously winners. The first song Fine Line was
the first "single" (whatever that means anymore) and was an immediate
toe-tapper. The closing song Anyway is the perfect, majestic,
sentimental closer for the album. Listening to songs such as these make
you wish the album had been released in his "prime" so that more people
could have heard and fallen in love with them. Even some of the
somewhat silly songs hold up well. English Tea does sound
a bit like it was written by a senior citizen, but it has such a breezy,
catchy feel, that you don't feel embarrassed to fall in love with it.
It reminds me slightly of "Eleanor Rigby" from his Beatle days.
One of Paul's very very best records, and one hopes that he has more of
these somewhere in his creative genes that we'll be able to hear again
someday.
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